Gorączka archiwum w sztuce współczesnej. Symptomy choroby i propozycja terapii
Abstract
In the recent years the archive had become an exquisitely popular form of
artistic, curatorial and critical activity. According to the author’s argument
the poststructuralist model of the archival practice producing the sublime
experience, which celebrates weak subjectivity, should once and for all be
replaced by a pragmatic model. Only in the framework of the latter there shall
emerge a possibility for rethinking the archive in the field of art in relation to
the tasks faced by contemporary humanities.
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