Ksenologia i ksenotopografia Bernharda Waldenfelsa wobec podstawowych założeń światotwórczych literatury fantastycznej (Orson Scott Card, Neil Gaiman, George R. R. Martin)

Maj, Krzysztof M.

Ksenologia i ksenotopografia Bernharda Waldenfelsa wobec podstawowych założeń światotwórczych literatury fantastycznej (Orson Scott Card, Neil Gaiman, George R. R. Martin)

Abstract

The paper strives to adapt Bernhard Waldenfel’s xenology and so called ‘xenotopography’ for the philosophico-literary studies in fantastic world-building with a special concern of the ‘por-tal-quest’ model of fantasy and SF. Following Waldenfel’s remarks on the nature of post-Husserlian diastasis of our world (Heimwelt) and otherworld (Fremdwelt) and acknowledging the consequences of allocating one’s attitude towards the otherness in the symbolical border-land (‘sphere of intermonde’) in between, it is examined whether such a model can occur in the fantastic literature and what may be the consequence of xenotopographic reconsideration of its basic ontological premises. Additionally, the article offers an original xenotopograpfic model of world-building which addresses three carefully chosen case studies of fantastic worlds from Orson Scott Card’s Ender’s Game tetralogy, Neil Gaiman’s Stardust and George R. R. Martin’s The Song of Ice and Fire. In the end, it is suggested that hitherto presented xe-notopography gravely inspired a post¬modern shift in the genres of fantasy and SF which re-sults in more ethically conscious representations of the otherness and even more concise and alien comprehensive world-building.