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dc.contributor.authorPerkowski, Piotr
dc.description.abstractTadeusz Konwicki produced his prose in an incessant dialogue with censorship. He wanted to imply an independent vision of guerillas’ struggles in Vilnius forests, Stalinism and grey, depressing reality of the Polish People’s Republic. Konwicki’s language is rich in traps set for the workers of Main Office for the Control of Press, Publication and Spectacles. A precise narration, in which every detail was meaningful, frequent and purposeful blurring of the cause-result sequence and intentional resort to silence compose a subtle and brilliant poetics of "Dziura w niebie," "Sennik współczesny," "Wniebowstąpienie." The issuing of the last put Konwicki on the censorship list in 1967. Thus "Zwierzoczełekoupiór" (1969) - a novel seemingly for children was treated by censorship with suspicion. When published uncensored in samizdat, the novel might display a tough, unsubtle narration, coming close to kitsch. The official edition of "Nowy Świat i okolice" (1986) is interesting as it contains a playful dialogue with a censor - a discussion on the borders of an author’s freedom.pl_PL
dc.rightsCreative Commons Uznanie autorstwa 3.0 Polska
dc.subjectcontemporary Polish literaturepl_PL
dc.subjectEastern Europepl_PL
dc.subjectPolish People's Republicpl_PL
dc.subjectEuropa Wschodniapl_PL
dc.subjectTadeusz Konwickipl_PL
dc.subjectpolska literatura współczesnapl_PL
dc.titlePół wieku z cenzurą: Przypadek Tadeusza Konwickiegopl_PL
dc.contributor.organizationUniwersytet Gdańskipl_PL
dc.description.epersonPiotr Perkowski

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Creative Commons Uznanie autorstwa 3.0 Polska
Except where otherwise noted, this item's license is described as Creative Commons Uznanie autorstwa 3.0 Polska