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dc.contributor.authorZamorska, Magdalena
dc.date.accessioned2013-03-10T18:59:04Z
dc.date.available2013-03-10T18:59:04Z
dc.date.issued2010
dc.identifier.citationM. Zamorska, Transkulturowość butō. Japonia, Welsch i pytania o tożsamość, "Kultura-Historia-Globalizacja" nr 6 2010pl
dc.identifier.issn18-98-72-65
dc.identifier.urihttp://depot.ceon.pl/handle/123456789/1081
dc.description.abstractThe Cultural Potential of Buto: On the Conception of Transculturality in Wolfgang Welsch — In the buto dance, born originally in Japan after the Second World War, the performer is devoid of his social identity and concentrates on the body as such. Hijikata and Ono — the creators of the dance — utilized the elements of ritual, philosophical and artistic traditions constituent both of the culture of Japan and the culture of the West. In my article I attempt to answer the question in what way the deprivation of one’s social identity can create a trans-cultural field of communication allowing a new form of artistic expression.pl
dc.language.isoplpl
dc.publisherUniwersytet Wrocławskipl
dc.rightsCreative Commons Uznanie autorstwa na tych samych warunkach 3.0 Polskapl_PL
dc.rights.urihttp://creativecommons.org/licenses/by-sa/3.0/pl/legalcode
dc.subjectWelschpl
dc.subjecttranskulturowośćpl
dc.subjecttransculturalitypl
dc.subjectbutopl
dc.subjectbutohpl
dc.titleTranskulturowość butō. Japonia, Welsch i pytania o tożsamośćpl
dc.typeinfo:eu-repo/semantics/articlepl
dc.description.epersonMagdalena Zamorska
dc.rights.DELETETHISFIELDinfo:eu-repo/semantics/openAccess


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Creative Commons Uznanie autorstwa na tych samych warunkach 3.0 Polska
Except where otherwise noted, this item's license is described as Creative Commons Uznanie autorstwa na tych samych warunkach 3.0 Polska