dc.contributor.author | Zamorska, Magdalena | |
dc.date.accessioned | 2013-03-10T18:59:04Z | |
dc.date.available | 2013-03-10T18:59:04Z | |
dc.date.issued | 2010 | |
dc.identifier.citation | M. Zamorska, Transkulturowość butō. Japonia, Welsch i pytania o tożsamość, "Kultura-Historia-Globalizacja" nr 6 2010 | pl |
dc.identifier.issn | 18-98-72-65 | |
dc.identifier.uri | http://depot.ceon.pl/handle/123456789/1081 | |
dc.description.abstract | The Cultural Potential of Buto: On the Conception of Transculturality in Wolfgang Welsch — In the buto dance, born originally in Japan after the Second World War, the performer is devoid of his social identity and concentrates on the body as such. Hijikata and Ono — the creators of the dance — utilized the elements of ritual, philosophical and artistic traditions constituent both of the culture of Japan and the culture of the West. In my article I attempt to answer the question in what way the deprivation of one’s social identity can create a trans-cultural field of communication allowing a new form of artistic expression. | pl |
dc.language.iso | pl | pl |
dc.publisher | Uniwersytet Wrocławski | pl |
dc.rights | Creative Commons Uznanie autorstwa na tych samych warunkach 3.0 Polska | pl_PL |
dc.rights.uri | http://creativecommons.org/licenses/by-sa/3.0/pl/legalcode | |
dc.subject | Welsch | pl |
dc.subject | transkulturowość | pl |
dc.subject | transculturality | pl |
dc.subject | buto | pl |
dc.subject | butoh | pl |
dc.title | Transkulturowość butō. Japonia, Welsch i pytania o tożsamość | pl |
dc.type | info:eu-repo/semantics/article | pl |
dc.description.eperson | Magdalena Zamorska | |
dc.rights.DELETETHISFIELD | info:eu-repo/semantics/openAccess | |