Gorączka archiwum w sztuce współczesnej. Symptomy choroby i propozycja terapii
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In the recent years the archive had become an exquisitely popular form of artistic, curatorial and critical activity. According to the author’s argument the poststructuralist model of the archival practice producing the sublime experience, which celebrates weak subjectivity, should once and for all be replaced by a pragmatic model. Only in the framework of the latter there shall emerge a possibility for rethinking the archive in the field of art in relation to the tasks faced by contemporary humanities.
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