dc.contributor.author | Mazur, Rafał | |
dc.date.accessioned | 2015-05-21T19:46:24Z | |
dc.date.available | 2015-05-21T19:46:24Z | |
dc.date.issued | 2015-04 | |
dc.identifier.citation | Mazur R. Music as a Tool for Self-Realization in Chinese Culture: Based on the Practice of Playing the Guqin, US-China Foreign Language, Volume 13, Number 4, April 2015, PP 81-91 | pl_PL |
dc.identifier.issn | 1539-8080 | |
dc.identifier.issn | 1935-9667 | |
dc.identifier.uri | https://depot.ceon.pl/handle/123456789/6799 | |
dc.description.abstract | Music has always held an important place in Chinese culture and it has been deeply related to philosophy for ages.
In fact, one could say it played a key role in creating Chinese culture and civilisation. It could be assumed that one
of the most important concepts of this culture—the Harmony—has its roots in music-making practice and musical
terminology. Music was very strongly related to the official social ideology/philosophy of the empire, the
Confucianism. As an integral part of the rituals, it became one of the elements ensuring social order. Besides its
social/global function, music was an issue of great importance in the practice of achieving one’s personal
excellence. There is a strong correlation between music and the Chinese idea of a sage, which in the Middle
Kingdom is associated with the sense of hearing (not with sight, as it is in the Mediterranean tradition). The musical
instrument guqin became an inalienable attribute of a sage and the practice of playing this instrument became a way
to wisdom, allowing to improve one’s cognition and action. This paper will present the relations between playing
the qin, philosophy, and learning wisdom. | pl_PL |
dc.language.iso | en | pl_PL |
dc.publisher | David Publishing Company | pl_PL |
dc.rights | Creative Commons Uznanie autorstwa na tych samych warunkach 3.0 Polska | |
dc.rights.uri | http://creativecommons.org/licenses/by-sa/3.0/pl/legalcode | |
dc.subject | filozofia chińska | pl_PL |
dc.subject | filozofia gŭqín | pl_PL |
dc.subject | chińska filozofia sztuki | pl_PL |
dc.subject | chińska filozofia muzyki | pl_PL |
dc.subject | estetyka chińska | pl_PL |
dc.subject | sztuka chińska | pl_PL |
dc.subject | Chinese philosophy | pl_PL |
dc.subject | Chinese aesthetics | pl_PL |
dc.subject | Chinese philosophy of art | pl_PL |
dc.subject | Chinese philosophy of music | pl_PL |
dc.subject | gŭqín philosophy | pl_PL |
dc.subject | Chinese art | pl_PL |
dc.subject | Chinese music | pl_PL |
dc.title | Music as a Tool for Self-Realization in Chinese Culture: Based on the Practice of Playing the Guqin | pl_PL |
dc.type | info:eu-repo/semantics/article | pl_PL |
dc.contributor.organization | Uniwersytet Jagielloński | pl_PL |
dc.contributor.organization | Jagiellonian University | pl_PL |
dc.description.eperson | Rafał Mazur | |
dc.rights.DELETETHISFIELD | info:eu-repo/semantics/openAccess | |