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dc.contributor.authorGłowacka, Aneta
dc.date.accessioned2015-06-19T08:45:16Z
dc.date.available2015-06-19T08:45:16Z
dc.date.issued2014
dc.identifier.citationAneta Głowacka, Zmagania teatru ze śląską tożsamością, "Anthropos?" 2014, nr 23pl_PL
dc.identifier.issn1730-9549
dc.identifier.urihttps://depot.ceon.pl/handle/123456789/6999
dc.description.abstractThe article discusses the problem of locality (ethnic and cultural identity) in the performances in theatres in Silesia. Since 10 years directors have used elements of local culture and history in theirs shows. Narrative referring to the identity of the indigenous people of the region seems to be very important for the local society. "Silesian performances" are very popular. However, the overwhelming number of performances, treat Silesian identity in stereotyped way, focusing on the past, which is mythologized. Recently, this approach, has changed a little. Artists try to show the present problems of inhabitants of the region and theirs hybrid identity.en
dc.language.isoplpl_PL
dc.publisherInstytut Nauk o Kulturze i Studiów Interdyscyplinarnych, Uniwersytet Śląskipl_PL
dc.rightsCreative Commons Uznanie autorstwa na tych samych warunkach 3.0 Polska
dc.rights.urihttp://creativecommons.org/licenses/by-sa/3.0/pl/legalcode
dc.subjectteatrpl_PL
dc.subjectlokalnośćpl_PL
dc.subjecttożsamośćpl_PL
dc.subjectGórny Śląskpl_PL
dc.titleZmagania teatru ze śląską tożsamościąpl_PL
dc.typeinfo:eu-repo/semantics/articlepl_PL
dc.contributor.organizationUniwersytet Śląski w Katowicachpl_PL
dc.description.epersonMiłosz Markiewicz
dc.rights.DELETETHISFIELDinfo:eu-repo/semantics/openAccess


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Creative Commons Uznanie autorstwa na tych samych warunkach 3.0 Polska
Except where otherwise noted, this item's license is described as Creative Commons Uznanie autorstwa na tych samych warunkach 3.0 Polska