Ad majorem techno gloriam?

dc.contributor.author	Olszański, Grzegorz
dc.date.accessioned	2015-06-22T08:39:46Z
dc.date.available	2015-06-22T08:39:46Z
dc.date.issued	2013
dc.identifier.citation	Grzegorz Olszański, Ad majorem techno gloriam?, "Anthropos?" 2013, nr 20-21	pl_PL
dc.identifier.issn	1730-9549
dc.identifier.uri	https://depot.ceon.pl/handle/123456789/7018
dc.description.abstract	The article is an attempt at describing the techno culture more as a social than an aesthetic phenomenon. Techno is treated here not only, as a genre of music or the particular subculture but, what is even more crucial, as a cultural factor that defines the specific lifestyle. Differently from other critics and historians of the field, who were arguing that it is rooted in the tribal culture, the author aims to show the links between the techno culture and the medieval aesthetics and ideology.	pl_PL
dc.language.iso	pl	pl_PL
dc.publisher	Instytut Nauk o Kulturze i Studiów Interdyscyplinarnych, Uniwersytet Śląski	pl_PL
dc.rights	Creative Commons Uznanie autorstwa na tych samych warunkach 3.0 Polska
dc.rights.uri	http://creativecommons.org/licenses/by-sa/3.0/pl/legalcode
dc.subject	muzyka	pl_PL
dc.subject	techno	pl_PL
dc.subject	subkultury	pl_PL
dc.subject	ideologia	pl_PL
dc.title	Ad majorem techno gloriam?	pl_PL
dc.type	info:eu-repo/semantics/article	pl_PL
dc.contributor.organization	Uniwersytet Śląski w Katowicach	pl_PL
dc.description.eperson	Miłosz Markiewicz
dc.rights.DELETETHISFIELD	info:eu-repo/semantics/openAccess

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