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dc.contributor.authorPtaszek, Grzegorz
dc.date.accessioned2013-02-14T19:08:38Z
dc.date.available2013-02-14T19:08:38Z
dc.date.issued2011
dc.identifier.urihttp://depot.ceon.pl/handle/123456789/810
dc.description.abstractIn contemporary television the entertainment does not only serve to bring pleasure to its audience. Its purpose is to engage the viewer in the process of watching, which can be achieved by inducing emotional tension and internal excitement. In the article, the following modes of narration are discussed based on the example of three investigative reports made for Superwizjer, a television programme broadcast by the TVN station: emotional and evaluative author’s narration (off the screen voice), hidden camera and journalist provocation.The aim of these three strategies is to dramatize the content (to make it sensational and spectacular). These modes are identified by the audience with genre conventions of reality TV (subordinate to entertainment) and the codes of a documentary film, thus enhancing the sense of reality of a given content and increasing the viewers’ involvement in the process of watching the television.pl_PL
dc.publisherWydawnictwo Uniwersytetu Warszawskiego
dc.rightsDozwolony użytek
dc.subjectrozrywka telewizyjnapl_PL
dc.subjectreal tvpl_PL
dc.subjectnarracjapl_PL
dc.subjectdramaturgiapl_PL
dc.subjectreportaż śledczypl_PL
dc.titleTelewizyjny reportaż śledczy jako rozrywka. Sposoby dramaturgii narracji
dc.typeinfo:eu-repo/semantics/article
dc.contributor.organizationAGH w Krakowie
dc.description.epersonGRZEGORZ PTASZEK


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