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dc.contributor.authorBudzik, Justyna
dc.date.accessioned2015-12-08T08:34:28Z
dc.date.available2015-12-08T08:34:28Z
dc.date.issued2010
dc.identifier.issn2082-3916
dc.identifier.urihttps://depot.ceon.pl/handle/123456789/8178
dc.description.abstractThe dominant trend in describing 19th-century culture is to emphasize the role of the eye and visual perception, taking the cinema as a perfect realization of the modernist hegemony of vision. However, when examining more profoundly the phenomenon of the cinema, it reveals itself as a source of many different sensations, at the same time providing us with a wider perspective on modern culture. By “cinema” I understand not only “movies”, but cinema as a specific place (the building, the projection hall) in the city as well. The article focuses on the dimension of touch and tactility, created by a movie “séance”. The first part gives a short revision of the most common theories and concentrates on the emergence of cinema in the modern metropolis, symbolized by the city of Paris. The second part of the essay explores the tactile space of the movie theatre, while the third part is meant to be an introduction to the analysis of the touchable qualities of light projection.pl_PL
dc.language.isoplpl_PL
dc.publisherTowarzystwo Doktorantów UJpl_PL
dc.rightsCreative Commons Uznanie autorstwa - Użycie niekomercyjne 3.0
dc.rights.urihttp://creativecommons.org/licenses/by-nc/3.0/pl/legalcode
dc.subjectkategoria przezroczystościpl_PL
dc.subjectstyle projektowania i urządzania kinapl_PL
dc.subjecttaktylność doświadczeniapl_PL
dc.subjectkinopl_PL
dc.subjectświatłopl_PL
dc.subjectdotykpl_PL
dc.subjectAnn Friedbergpl_PL
dc.titleDotknąć światła. Kino jako przestrzeń dotykupl_PL
dc.typeinfo:eu-repo/semantics/articlepl_PL
dc.description.epersonZeszyty Naukowe TDUJ


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Creative Commons Uznanie autorstwa - Użycie niekomercyjne 3.0
Except where otherwise noted, this item's license is described as Creative Commons Uznanie autorstwa - Użycie niekomercyjne 3.0