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dc.contributor.authorOwsikowska, Anna
dc.date.accessioned2016-01-12T09:24:58Z
dc.date.available2016-01-12T09:24:58Z
dc.date.issued2013
dc.identifier.issn2082-3916
dc.identifier.urihttps://depot.ceon.pl/handle/123456789/8512
dc.description.abstractRoman Palester, acclaimed as the successor of Szymanowski less than ten years after the latter’s death, tried to continue the legacy of his mentor and personal acquaintance in the field of development of Polish music. Forced to emigrate by the circumstances following his conflict with the authorities of the People’s Republic of Poland, as the head of Polish culture department in Radio Free Europe for twenty years (1952– 1972) prepared and presented cultural programs, among them series Muzyka obala granice (Music abolishes the frontiers) in which he polemised with the principles of Socialist Realism. Despite the fact that in later phases of his composing career Palester abandoned the influence of Szymanowski to embrace modern techniques such as dodecaphony, aleatorism and sonorism, he never denied it.pl_PL
dc.language.isoplpl_PL
dc.publisherTowarzystwo Doktorantów UJpl_PL
dc.rightsCreative Commons Uznanie autorstwa - Użycie niekomercyjne 3.0
dc.rights.urihttp://creativecommons.org/licenses/by-nc/3.0/legalcode
dc.subjectRadio Wolna Europapl_PL
dc.subjectmuzykapl_PL
dc.subjectuczeńpl_PL
dc.subjectmistrzpl_PL
dc.subjectrelacjapl_PL
dc.subjectKarol Szymanowskipl_PL
dc.subjectRoman Palesterpl_PL
dc.titleWielki mistrz i jego ideowy uczeń. Karol Szymanowski oczami Romana Palestrapl_PL
dc.typeinfo:eu-repo/semantics/articlepl_PL
dc.contributor.organizationUniwersytet Jagiellońskipl_PL
dc.description.epersonZeszyty Naukowe TDUJ


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Creative Commons Uznanie autorstwa - Użycie niekomercyjne 3.0
Except where otherwise noted, this item's license is described as Creative Commons Uznanie autorstwa - Użycie niekomercyjne 3.0