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dc.contributor.authorKarska, Kinga
dc.description.abstractFor his whole life Karol Szymanowski wrote in total 120 songs of different genres, for voice and piano as well as for voice and orchestra, both songs within cycles that constitute musical and dramatic entities and single pieces of music. In his work there can be discerned three distinctive periods. The article presents them in view of two scholars, Zofia Helman and Mieczysław Tomaszewski. The former employs the criterion of artistic maturity, describing the three creative periods in Szymanowski’s work as, consecutively, use of existing stylistic norms, creation of own original harmonic-tonal language and turn to objectivity of expression. The latter puts emphasis on the composer’s fascinations and sources of artistic inspiration, analysing the three periods as initial „modernist” (fascination with the West and North of Europe), middle „Mediterranean” (fascination with Orient and the South of Europe) and final „Polish/national” characterized by fascination with Szymanowski’s native folklore, especially from the Kurpie and Podhale regions.pl_PL
dc.publisherTowarzystwo Doktorantów UJpl_PL
dc.rightsCreative Commons Uznanie autorstwa - Użycie niekomercyjne 3.0
dc.subjectjęzyk harmoniczno‑tonalnypl_PL
dc.subjectliryka wokalnapl_PL
dc.subjectKarol Szymanowskipl_PL
dc.titleMuzyczna interpretacja poezji w liryce wokalnej Karola Szymanowskiegopl_PL
dc.contributor.organizationUniwersytet Jagiellońskipl_PL
dc.description.epersonZeszyty Naukowe TDUJ

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Creative Commons Uznanie autorstwa - Użycie niekomercyjne 3.0
Except where otherwise noted, this item's license is described as Creative Commons Uznanie autorstwa - Użycie niekomercyjne 3.0