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dc.contributor.authorSielska, Matylda
dc.date.accessioned2016-01-12T09:27:50Z
dc.date.available2016-01-12T09:27:50Z
dc.date.issued2013
dc.identifier.issn2082-3916
dc.identifier.urihttps://depot.ceon.pl/handle/123456789/8514
dc.description.abstractThe Shepherd, who introduces a radical and irreversible change in life of the eponymous character of Karol Szymanowski’s opera King Roger, is an enigmatic and mysterious figure. Portrayed as possessing godlike qualities, he nevertheless cannot be fully identified with one particular supernatural being, as shown in the works of scholars that describe him as sharing several traits with Narcissus, Eros, John the Baptist or John the Evangelist. In spite of the Shepherd being commonly referred to as Dionysus, this name (like any other) does not appear in the opera’s libretto. As stated by the author of the article, the principal three forms of this ambiguous character are Jesus Christ, Dionysus and Apollo, each of them dominating in turn in the successive acts of King Roger.pl_PL
dc.language.isoplpl_PL
dc.publisherTowarzystwo Doktorantów UJpl_PL
dc.rightsCreative Commons Uznanie autorstwa - Użycie niekomercyjne 3.0
dc.rights.urihttp://creativecommons.org/licenses/by-nc/3.0/legalcode
dc.subjectBógpl_PL
dc.subjectDionizospl_PL
dc.subjectKarol Szymanowskipl_PL
dc.subjectKról Rogerpl_PL
dc.subjectoperapl_PL
dc.subjectPasterzpl_PL
dc.titleDionizos Szymanowskiego. Różne oblicza boga w „Królu Rogerze”pl_PL
dc.typeinfo:eu-repo/semantics/articlepl_PL
dc.contributor.organizationUniwersytet Jagiellońskipl_PL
dc.description.epersonZeszyty Naukowe TDUJ


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Creative Commons Uznanie autorstwa - Użycie niekomercyjne 3.0
Except where otherwise noted, this item's license is described as Creative Commons Uznanie autorstwa - Użycie niekomercyjne 3.0