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dc.contributor.authorKuchta, Anna
dc.contributor.authorMalita, Joanna
dc.descriptionRozdział monografia naukowej "Istoty hybrydalne i zmieniające postać w kulturach europejskich i azjatyckich", ss. 177-198.pl_PL
dc.description.abstract"The Tale of Genji", renowned novel written by lady Murasaki Shikibu in the beginning of the 11th century, continues to inspire various artists through the centuries. Many motifs have been adopted or reinterpreted within other works of art, yet the scene of spirit possession – when wife of prince Genji, lady Aoi, is possessed by the spirit of her lover, lady Rokujō – seems to be exceptionally inspiring. This article traces those adaptations of The Tale, where the possession is highly signi- ficant: including classic nō play, modern nō play and film versions. The relations between the characters are carefully investigated, along with their emotions and motives: both in the original text and its adaptations. The key conclusion shows that in all analysed works it is not the actual possession and its mechanism that matters the most, it if for the emotions of the characters, their development and complicated relations with one another.en
dc.publisherAT Wydawnictwopl_PL
dc.rightsCreative Commons Uznanie autorstwa 3.0 Polska
dc.subjectspirit possessionpl_PL
dc.subjectJapanese literaturepl_PL
dc.subjectJapanese studiespl_PL
dc.subjectThe Tale of Genjipl_PL
dc.titleSpirit possession and emotional suffering in „The Tale of Genji” and its selected adaptations. A study of love triangle between Prince Genji, Lady Aoi and Lady Rokujopl_PL
dc.contributor.organizationUniwersytet Jagiellońskipl_PL
dc.description.epersonJoanna Malita-Król

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Creative Commons Uznanie autorstwa 3.0 Polska
Except where otherwise noted, this item's license is described as Creative Commons Uznanie autorstwa 3.0 Polska