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dc.contributor.authorWilk, Anna N.
dc.date.accessioned2016-03-01T10:00:16Z
dc.date.available2016-03-01T10:00:16Z
dc.date.issued2016
dc.identifier.isbn978-83-942923-1-7
dc.identifier.urihttps://depot.ceon.pl/handle/123456789/9029
dc.description.abstractAnna N. Wilk’s chapter Living Dead: The Zombie as a Social Rejection Metaphor in Contemporary Russian Horror Literature discusses the image of the zombie as a met-aphor of discrimination, based on the following works: Anna Starobinets’s Yasha’s eternity, Sergey and Marina Diachenko’s Лихорадка [Likhoradka], Vadim Voznesen-skiy’s Капля за каплей [Kaplya za kapley], Andrеy Brem’s Мучин крест [Muczin krest] and Georgyi Gerasimov’s Якутск отмороженный. Исход [Yakutsk ot-morozhennyy. Iskhod]. In these short stories, living dead induce not only fear but also repulsion, disgust or even pity. Changing into a zombie has become synonymous with transformation into a socially rejected individual. Even when a monster does not feel the compulsion to feed on human meat, it is doomed to incapacitation and solitude. This is the fate of Yasha, the main character in Starobinets’s story, and a scientist from Лихорадка by Sergey and Marina Diachenko. In Russian horror literature, zombies can also be identified with the lowest social class due to the fact that both groups are excluded or expelled from social activities. In Voznesenskiy’s story, the main character finds out that some of the homeless people have become zombies. In Brem’s story, the cemetery for the poor and criminals is a place where one can raise people from the dead. Georgyi Gerasimov uses zombies to invert a common trope: here the mon-sters are too weak to oppose the terror of humans. Low temperatures allow them to regain their thinking ability and memories, but at the sa-me time they become slow and languid. The citizens of Yakutsk city, where winter lasts almost 8 months, are forced to coexist with them. This is a far from peaceful coexistence, because humans take advantage of the monsters’ weakness to torture them in cruel and savage ways. Nowadays, growing globalization and capitalism incite internal anxiety about our so-cial standing. The zombie as a character epitomizes the fear of becoming a degenerate individual deprived of civil rights; anyone can lose their social status because of an un-foreseen accident.en
dc.language.isoplpl_PL
dc.publisherOśrodek Badawczy Facta Fictapl_PL
dc.rightsCreative Commons Uznanie autorstwa 3.0 Polska
dc.rights.urihttp://creativecommons.org/licenses/by/3.0/pl/legalcode
dc.subjectTricksterzypl_PL
dc.subjectTricksterpl_PL
dc.subjectvoodooizmpl_PL
dc.subjectproszek zombiepl_PL
dc.subjectbokorpl_PL
dc.subjectHaitipl_PL
dc.subjectvoodoopl_PL
dc.subjectpunkpl_PL
dc.subjectsubwersywnośćpl_PL
dc.subjectsubwersjapl_PL
dc.subjectdystopiepl_PL
dc.subjectdystopiapl_PL
dc.subjectnarracje zombie-centrycznepl_PL
dc.subjectnarracja zombie-centrycznapl_PL
dc.subjectkonsumpcjonizmpl_PL
dc.subjectkrytyka kapitalizmupl_PL
dc.subjectekokrytykapl_PL
dc.subjectkrytyka politycznapl_PL
dc.subjectkrytyka neoliberalizmupl_PL
dc.subjectneoliberalizmpl_PL
dc.subjectkapitalizmpl_PL
dc.subjectnieumarłypl_PL
dc.subjectnarracja postapokaliptycznapl_PL
dc.subjectpostapokalipsapl_PL
dc.subjectpostapopl_PL
dc.subjectżywe trupypl_PL
dc.subjecthistoria zombiepl_PL
dc.subjectfilozofia zombiepl_PL
dc.subjectzombiezmpl_PL
dc.subjectzombifikacjapl_PL
dc.subjectniesamowitepl_PL
dc.subjectgrozapl_PL
dc.subjecthorrorpl_PL
dc.subjectfantastykapl_PL
dc.subjectpopkulturapl_PL
dc.subjectponowoczesnośćpl_PL
dc.subjectzombiepl_PL
dc.subjectPerspektywy Ponowoczesnościpl_PL
dc.titleMartwy za życia. Zombie jako metafora odrzucenia społecznego we współczesnej rosyjskiej fantastyce grozypl_PL
dc.typeinfo:eu-repo/semantics/bookPartpl_PL
dc.contributor.organizationUniwersytet Wrocławskipl_PL
dc.description.epersonOśrodek Badawczy Facta Ficta
dc.rights.DELETETHISFIELDinfo:eu-repo/semantics/openAccess


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