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dc.contributor.authorBurszta, Jędrzej
dc.date.accessioned2016-03-01T10:11:13Z
dc.date.available2016-03-01T10:11:13Z
dc.date.issued2016
dc.identifier.isbn978-83-942923-1-7
dc.identifier.urihttps://depot.ceon.pl/handle/123456789/9033
dc.description.abstractThe chapter Queer Zombies: Between Politics, Pastiche and Pornography is dedicated to an analysis of the meaning of the eponymous “queer zombie” figure that appears in contemporary films. Jędrzej Burszta draws attention here to the Canadian film-maker Bruce LaBruce and his two recent films: Otto, or Up with Dead People and L.A. Zombie. Drawing inspiration from ideological interpretations of zombie films (focusing on race relations, consumerism, neoliberalism etc.), the author argues that the political potential present in the figure of the zombie can be translated into a man-ifesto of true queerness. Various frightening creatures and monsters depicted in hor-ror films have often been linked to homosexuality through the apparent similarities in their marginal character and status as outsiders in a society which fears everything that is unknown, strange and different. The analysis of LaBruce's films serves to intro-duce a proposal for a subversive challenge to the identity politics of sexual minorities. The essay attempts to prove that the horror genre (here combined with elements of pastiche and pornography) can indeed express complex critique of social relations in the contemporary Western world.en
dc.language.isoplpl_PL
dc.publisherOśrodek Badawczy Facta Fictapl_PL
dc.rightsCreative Commons Uznanie autorstwa 3.0 Polska
dc.rights.urihttp://creativecommons.org/licenses/by/3.0/pl/legalcode
dc.subjectvoodooizmpl_PL
dc.subjectproszek zombiepl_PL
dc.subjectbokorpl_PL
dc.subjectHaitipl_PL
dc.subjectvoodoopl_PL
dc.subjectpunkpl_PL
dc.subjectsubwersywnośćpl_PL
dc.subjectsubwersjapl_PL
dc.subjectdystopiepl_PL
dc.subjectdystopiapl_PL
dc.subjectnarracje zombie-centrycznepl_PL
dc.subjectnarracja zombie-centrycznapl_PL
dc.subjectkonsumpcjonizmpl_PL
dc.subjectkrytyka kapitalizmupl_PL
dc.subjectekokrytykapl_PL
dc.subjectkrytyka politycznapl_PL
dc.subjectkrytyka neoliberalizmupl_PL
dc.subjectneoliberalizmpl_PL
dc.subjectkapitalizmpl_PL
dc.subjectnieumarłypl_PL
dc.subjectnarracja postapokaliptycznapl_PL
dc.subjectpostapokalipsapl_PL
dc.subjectpostapopl_PL
dc.subjectżywe trupypl_PL
dc.subjecthistoria zombiepl_PL
dc.subjectfilozofia zombiepl_PL
dc.subjectzombiezmpl_PL
dc.subjectzombifikacjapl_PL
dc.subjectniesamowitepl_PL
dc.subjectgrozapl_PL
dc.subjecthorrorpl_PL
dc.subjectfantastykapl_PL
dc.subjectpopkulturapl_PL
dc.subjectponowoczesnośćpl_PL
dc.subjectzombiepl_PL
dc.subjectOśrodek Badawczy Facta Fictapl_PL
dc.subjectPerspektywy Ponowoczesnościpl_PL
dc.subjectiZombiepl_PL
dc.subject28 dni późniejpl_PL
dc.subjectŚwit żywych trupówpl_PL
dc.subjectGeorge A. Romeropl_PL
dc.subjectRomeropl_PL
dc.subjectWhite Zombiepl_PL
dc.subjectThe Walking Deadpl_PL
dc.subjectPlants vs. Zombiespl_PL
dc.subjectDead Islandpl_PL
dc.subjectThe Last of Uspl_PL
dc.subjectResident Evilpl_PL
dc.titleQueerowe zombie. Pomiędzy polityką, pastiszem a pornografiąpl_PL
dc.typeinfo:eu-repo/semantics/bookPartpl_PL
dc.contributor.organizationSWPS Uniwersytet Humanistycznospołecznypl_PL
dc.description.epersonOśrodek Badawczy Facta Ficta
dc.rights.DELETETHISFIELDinfo:eu-repo/semantics/openAccess


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Creative Commons Uznanie autorstwa 3.0 Polska
Except where otherwise noted, this item's license is described as Creative Commons Uznanie autorstwa 3.0 Polska