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dc.contributor.authorCzardybon, Marcin
dc.date.accessioned2016-03-01T11:36:40Z
dc.date.available2016-03-01T11:36:40Z
dc.date.issued2016
dc.identifier.isbn978-83-942923-1-7
dc.identifier.urihttps://depot.ceon.pl/handle/123456789/9047
dc.description.abstractIn the chapter “What Disappears is Man in the Proper Sense”. On the Relationship Between the Kojèvian “Death of Man” and the Expansion of the Zombie Figure in Popular Culture, Marcin Czardybon shows the convergence taking place between the globalist, anti-ideological narrative that found its voice at the end of the 20th Cen-tury and the expansion of the character of the zombie in texts of culture. It corre-sponds perfectly with theses that construct expressions about the “end of history”. One often forgets that Francis Fukuyama’s claims and beliefs about the imminent pri-macy of Western, consumerist, liberal-democratic culture are – in their fundamental principles – only a reflection of the idea preached by a French philosopher of Russian origin, Alexandre Kojève. If we consider the phenomenon of the rising popularity of the zombie in cinema and literature as a kind of social reaction to the homogenization of individuals in a-ideological realities of late modernity, we cannot avoid returning to the claims of this philosopher. In his famous Introduction to the Reading of Hegel, in an intriguing way the condition and role of the individual in the realities of post-his-torical times were described. This vision, apart from components of turpitude and aggression, perfectly matches the image of zombies described in contemporary texts of culture. We can say that the expansion of “living corpses” in popular culture in the late 20th and early 21st Centuries is a (grotesque) disclosure of this content, which from the very beginning lay at the roots of this the final narrative about the end of history, ideology, struggle and work. Citizens of post-historical state are zombies, an inherent part of the world that Fukuyama and his enthusiasts saw and described in their theses.en
dc.language.isoplpl_PL
dc.publisherOśrodek Badawczy Facta Fictapl_PL
dc.rightsCreative Commons Uznanie autorstwa 3.0 Polska
dc.rights.urihttp://creativecommons.org/licenses/by/3.0/pl/legalcode
dc.subjectvoodooizmpl_PL
dc.subjectproszek zombiepl_PL
dc.subjectbokorpl_PL
dc.subjectHaitipl_PL
dc.subjectvoodoopl_PL
dc.subjectpunkpl_PL
dc.subjectsubwersywnośćpl_PL
dc.subjectsubwersjapl_PL
dc.subjectdystopiepl_PL
dc.subjectdystopiapl_PL
dc.subjectnarracje zombie-centrycznepl_PL
dc.subjectnarracja zombie-centrycznapl_PL
dc.subjectkonsumpcjonizmpl_PL
dc.subjectkrytyka kapitalizmupl_PL
dc.subjectekokrytykapl_PL
dc.subjectkrytyka politycznapl_PL
dc.subjectkrytyka neoliberalizmupl_PL
dc.subjectneoliberalizmpl_PL
dc.subjectkapitalizmpl_PL
dc.subjectnieumarłypl_PL
dc.subjectnarracja postapokaliptycznapl_PL
dc.subjectpostapokalipsapl_PL
dc.subjectpostapopl_PL
dc.subjectżywe trupypl_PL
dc.subjecthistoria zombiepl_PL
dc.subjectfilozofia zombiepl_PL
dc.subjectzombiezmpl_PL
dc.subjectzombifikacjapl_PL
dc.subjectniesamowitepl_PL
dc.subjectgrozapl_PL
dc.subjecthorrorpl_PL
dc.subjectfantastykapl_PL
dc.subjectpopkulturapl_PL
dc.subjectponowoczesnośćpl_PL
dc.subjectzombiepl_PL
dc.subjectOśrodek Badawczy Facta Fictapl_PL
dc.subjectPerspektywy Ponowoczesnościpl_PL
dc.title„Tym, co znika, jest Człowiek we właściwym znaczeniu”. O relacji między Kojèviańską „śmiercią człowieka” a ekspansją popkulturowej figury żywego trupapl_PL
dc.typeinfo:eu-repo/semantics/bookPartpl_PL
dc.contributor.organizationUniwersytet Warszawskipl_PL
dc.description.epersonOśrodek Badawczy Facta Ficta
dc.rights.DELETETHISFIELDinfo:eu-repo/semantics/openAccess


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Creative Commons Uznanie autorstwa 3.0 Polska
Except where otherwise noted, this item's license is described as Creative Commons Uznanie autorstwa 3.0 Polska